![]() Test photos below show the amazing overall light. Most of the light bounces from the card into the roof, creating nice overall illumination, while some of the light penetrates directly through the card, disperses and lights the subject from the front. :)Ĭardboard is great material for this Party Bouncer. You might even consider an angle near 45 degrees. Make two cuts on the other end of the card and install it to the metallic hinges of the integrated flash. All you need is a white business card and a pair of scissors I’ve been countless times in a indoor situation where the hint of light is just not enough to shoot even slightly sharp portraits from friends and family and you just know even without trying that the use of integrated flash in SLR would end up in a catastrophe.Īt one time I came up with extremely simple, cheap and diy Party Bouncer. Judging by the (small number of) studio shots, this guy knows what he is doing. He holds a nice gallery at markohelenius.fi. I got this trick in the mail from Marko Helenius. Other brands – you might need to adjust a bit. It will defiantly work for Canon internal flashes. The results are not professional and there is some light lost, but when all else fails, it is a neat trick to have up your sleeve. If you are a big executive and have your own business card, you can cut the time it takes you to get a business card and you are at 5 seconds. ![]() I really like this one since it is the fastest one to make yet. ![]() BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.Yet another small internal flash bouncer. But he doesn't get to do much of this because of the high demand of photography content. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.įAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things.ĮDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He started at PCMag, Magnum Photos, and. PAST BYLINES: Gear Patrol, PC Mag,, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.Ĭhris Gampat began working in tech and art journalism both in 2008. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." He's a veteran technology writer, editor, and reviewer with more than 15 years experience. HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's fascinated by how photographers create, considering the fact that he's legally blind./ He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. So don’t ever discount all the tools that you have available to you: and also be sure to keep them in mind accordingly.Ĭhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. But when the flash output was bounced off of a little card, it created hard shadows that still worked with the overall image and effect. The direct flash head was way too powerful even when the power was really turned down. That’s how I created the image above with model Bec Fordyce. If often can bounce just enough light into an area to give off a really nice effect. The second one is the little bounce card. One of them is the wide angle diffuser: spreading light over a larger area can make it look softer in certain situations. If you’ve been using those or other modifiers, you probably haven’t really thought twice about two things that can really help your flash output control. Want more Useful Photography Tips? Click here.Ĭonsider the fact that years ago, all photographers using a flash were encouraged to stop using the little bounce card and wide angle diffuser in favor of something like the Rogue FlashBender series of modifiers.
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